Sarah Pickering is a London based, British photographer who graduated from the Royal College of Art with a MA in Photography in 2005. She has been the recipient of several awards including the Photographers Gallery Graduate Award and a Jerwood Award in 2005. Sarah has exhibited internationally and in the UK where her work was part of How We Are: Photographing Britain, at Tate Britain, and is currently on show in the photography gallery of the V&A museum. Her work is featured in many publications including the Phaidon anthology on contemporary photography, ‘Vitamin Ph’, and the catalogue and exhibition, Manipulating Reality, (Centro di Cultura Contemporanea Strozzina Fondazione Palazzo Strozzi, Florence). Forthcoming projects include a monograph published by Aperture and a solo exhibition at the Museum of Contemporary Photography in Chicago. Gallery representation is with Meessen de Clercq, Brussels.
Chinese artist Chen Wenling critiques the global financial crisis in What You See Might Not Be Real, on display at a Beijing gallery. The bull is said to represent Wall Street, while the man pinned to the wall represents jailed financier Bernard Madoff.
Nous avons beaucoup vu ces derniers temps de travaux sur la superposition de couches graphiques ou encore de fausses images 3D anaglyphes. Ce travail de Carl Wiens s’inscrit dans la même mouvance et questionne au passage l’intervention de la technologie et de la science sur le règne animal. Quelques images de la série Darwin’s progeny…
I found these on this website : community.livejournal.com – and since it’s writen in Russian I’m not quite sure of the context in which these pictures were taken. From what I get they were shot in the 70’s by Artists Nonna Gorunova and Francisco Infante-Arana… in Russia, maybe..
